As a part of daily life, sewing is a dying skill. Expertise that was passed down, mother to daughter, for hundreds of years is now dying out: types of mending are no longer general knowledge, and most young people don’t own a pin cushion. Hence, my work shows textiles in an archaeological context.
In my Fossil Garments series, the work is presented as fossil specimens. The deconstructed garments – sometimes embedded in handmade felt – are offered for inspection on taut surfaces. By carefully cutting apart and arranging the garments, their human connection is emphasized. Crochet and lace, showing through the almost transparent garments, appear skeletal. I used mending techniques in overlapping layers, sometimes obscuring parts of the garments, sometimes cutting through them. The rigid framing exposes the somewhat sentimental clothing in an unemotional perspective, allowing the viewer to examine the clothing as archaeology.